When are condenser microphones used
There are three types of microphones: dynamic microphones, condenser
microphones, and ribbon microphones. How to select a microphone is not simply to
see which high price represents good quality, only the most suitable microphone
is the best microphone. Most know what kind of microphone is best, first look at
the occasion, then look at the demand, let's take a look at their respective
advantages and disadvantages of the three microphones.
The sensitivity of the dynamic microphone is not high enough. Compared with the Condenser microphone, it cannot pick up more details, but it is also not easy to pick up the ambient noise. It is very suitable for use on the stage and it is not easy to produce feedback and howling. Another advantage of insensitivity is that the sound pressure level is large, that is, it can tolerate very loud sounds without sonic booming. For example, picking up snare drums at close range on the stage, the sound of excellent drummers is very loud. If the condenser microphone is sure to pop, no matter how loud the tuning is, the dynamic microphone is very suitable.
Although the frequency response of dynamic microphones is not as flat and wide as Condenser microphone, many instruments such as guitars and basses are not full-band instruments themselves. Dynamic microphones have been able to pick up their sound well and avoid them. The trouble of crosstalk from other instruments makes it much easier for the tuner to repair EQ. Another great advantage of dynamic microphones is their durability. It doesn't matter if they accidentally drop on the ground.
The biggest feature of the Condenser microphone is the high sensitivity, the rich details of the pick-up, and the wide flatness of the frequency response curve, so it can perform satisfactorily in a sound-quiet acoustic environment in the recording studio. In an ordinary environment, it is easy to pick up the noise of the environment, such as the sound of the voice next door, the sound of cars downstairs, these are difficult to remove in the later period, even if barely removed will damage the sound quality.
In addition to the requirements of the sound environment, the Condenser microphone is also delicate and delicate. It is a must to gently handle it. When not in use, it is best to close it, and put a few packets of desiccant next to it, because the humidity will affect the sound quality of the condenser microphone.
BY-VM600 Shotgun Microphone
BY-VM190 Shotgun Microphone
BY-WM4 Wireless Microphone
BY-WM5 Wireless Microphone
BY-V02 Stereo Condenser Microphone
BY-SM80 Stereo Condenser Microphone
BY-M4C Lavalier Microphone
BY-M4OD Lavalier Microphone
ENG/broadcast microphone
Conference microphone system
BY-MC2 Conference Microphone
The sensitivity of the dynamic microphone is not high enough. Compared with the Condenser microphone, it cannot pick up more details, but it is also not easy to pick up the ambient noise. It is very suitable for use on the stage and it is not easy to produce feedback and howling. Another advantage of insensitivity is that the sound pressure level is large, that is, it can tolerate very loud sounds without sonic booming. For example, picking up snare drums at close range on the stage, the sound of excellent drummers is very loud. If the condenser microphone is sure to pop, no matter how loud the tuning is, the dynamic microphone is very suitable.
Although the frequency response of dynamic microphones is not as flat and wide as Condenser microphone, many instruments such as guitars and basses are not full-band instruments themselves. Dynamic microphones have been able to pick up their sound well and avoid them. The trouble of crosstalk from other instruments makes it much easier for the tuner to repair EQ. Another great advantage of dynamic microphones is their durability. It doesn't matter if they accidentally drop on the ground.
The biggest feature of the Condenser microphone is the high sensitivity, the rich details of the pick-up, and the wide flatness of the frequency response curve, so it can perform satisfactorily in a sound-quiet acoustic environment in the recording studio. In an ordinary environment, it is easy to pick up the noise of the environment, such as the sound of the voice next door, the sound of cars downstairs, these are difficult to remove in the later period, even if barely removed will damage the sound quality.
In addition to the requirements of the sound environment, the Condenser microphone is also delicate and delicate. It is a must to gently handle it. When not in use, it is best to close it, and put a few packets of desiccant next to it, because the humidity will affect the sound quality of the condenser microphone.
BY-VM600 Shotgun Microphone
BY-VM190 Shotgun Microphone
BY-WM4 Wireless Microphone
BY-WM5 Wireless Microphone
BY-V02 Stereo Condenser Microphone
BY-SM80 Stereo Condenser Microphone
BY-M4C Lavalier Microphone
BY-M4OD Lavalier Microphone
ENG/broadcast microphone
Conference microphone system
BY-MC2 Conference Microphone
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